![]() | Series: Behind the silver screen 6 | Includes bibliographical references and index. Description: New Brunswick, New Jersey : Rutgers University Press, 2016. ![]() Title: Editing and special/visual effects / edited by Charlie Keil and Kristen Whissel. Library of Congress Cataloging-in-Publication Data Names: Keil, Charlie. SOUND: DIALOGUE, MUSIC, AND EFFECTS (Kathryn Kalinak, ed.)Į DI T ING A ND SP ECI A L / V ISUA L E F F EC T S Edited by Charlie Keil and Kristen Whissel ART DIRECTION AND PRODUCTION DESIGN (Lucy Fischer, ed.) 10. SCREENWRITING (Andrew Horton and Julian Hoxter, eds.) 8. EDITING AND SPECIAL/VISUAL EFFECTS (Charlie Keil and Kristen Whissel, eds.) 7. DIRECTING (Virginia Wright Wexman, ed.) 6. COSTUME, MAKEUP, AND HAIR (Adrienne McLean, ed.) 5. ACTING (Claudia Springer and Julie Levinson, eds.) 2. Behind the Silver Screen promises a look at who does what in the making of a movie it promises a history of filmmaking, not just a history of films. The goal is to examine closely the various collaborative aspects of film production, one at a time and one per volume, and then to offer a chronology that allows the editors and contributors to explore the changes in each of these endeavors during six eras in film history: the silent screen (1895–1927), classical Hollywood (1928–1946), postwar Hollywood (1947–1967), the Auteur Renaissance (1968–1980), the New Hollywood (1981–1999), and the Modern Entertainment When complete, the series will comprise ten volumes, one each on ten significant tasks in front of or behind the camera, on the set or in the postproduction studio. Behind the Silver Screen calls attention to the work of filmmaking. Moviemaking is the product of the efforts of these men and women, yet few film histories focus much on their labor. The images, final sound mix, and special visual effects are assembled by editors to form a final cut. Dialogue, sound effects, and music are recorded, mixed, and edited by sound engineers. The cinematographer decides upon a lighting scheme. Art directors and set designers develop the look of the film. Actors, who are costumed and made-up, speak the words and perform the actions described in the script. Citation previewĮ DI T ING A ND SP ECI A L / V ISUA L E F F EC T SīEHIND THE SILVER SCREEN When we take a larger view of a film’s “life” from development through exhibition, we find a variety of artists, technicians, and craftspeople in front of and behind the camera. The modern entertainment marketplace, 2000-present: special/effects / Tainine Allison -Īcademy awards special/visual effects. The modern entertainment marketplace, 2000-present: editing / Meraj Dhir. The new Hollywood, 1981-1999: special/visual effects / Lisa Purse. The new Hollywood, 1981-1999: editing / Deron Overpeck. The auteur renaissance, 1968-1980: special/visual effects / Julie Turnock. The auteur renaissance, 1968-1980: editing / Benjamin Wright. Postwar Hollywood, 1947-1967: special/visual effects / Julie Turnock. Postwar Hollywood, 1947-1967: editing / Dana Polan. The silent screen, 1895-1927: special/visual effects / Dan North -Ĭlassical Hollywood, 1928-1946: editing / Paul Monticone -Ĭlassical Hollywood, 1928-1946: special/visual effects / Ariel Rogers. The silent screen, 1895-1927: editing / Scott Higgins. Introduction / Charlie Kell and Kristen Whissel.
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